On this week’s episode of Off Panel, artist Alison Sampson joins the show to talk about her Image Comics series, Winnebago Graveyard. She discusses her architectural background, how her architecture background influences her comic art, panel layouts, her art process, backmatter, whether Winnebago Graveyard is more of a book market comic, women working on horror comics, whether she’s gotten faster as an artist, getting bogged down in details, breaking in after an entirely different career, what Winnebago Graveyard taught her as a creator, Think of a City’s present and future, and more.
You can download the show directly here on Libsyn.
Off Panel now has a Patreon! Support the show and earn some rewards by backing the podcast on there.
Big thanks to my patrons, including – but not limited to – Henning Ahlers, Modern Magic Stories, Bruno Batista, Abraham Riesman, Adrian Diaz, Bjorn Basen, Bobby Angus, Darren Neely, John Hendrick, Steve Anderson, Cliff Chiang, Brian Klein-Qiu, Michael Perlman, Phil Knall, Ian Maxfield, Benjamin Schipper, Maxwell Schmidt, Dan Lee, Scott McGovern, Nathan Fairbairn, Chris Samnee, Colin McMahon, Cat McKenzie, Lou Iovino, Christopher Carter, Nicholas Keslake, Brian Dickerson, Greg Rucka, Ryan Mayle, Adam Highfill, Nicholas Gardner, Andrew Corrigan, Fiona Staples, Chris Morris, Johan Barrander, Chris O’Hollaran, Mark Abnett, Matt Battaglia, Mike Murphy, Michael Shirley, Tom Barnett, Jim Demonakos, Norbert, Nick Lowe, James Kaplan, and Mission: Comics and Art in San Francisco. You’re all the best.
Header image is from Winnebago Graveyard #1, art by Alison Sampson and Jordie Bellaire. Intro and outro music is Vulfpeck’s Outro from their album Vollmilch. Thanks to the band for letting me use the track.