Off Panel #458: Shadowrun with Michael Walsh

Writer/artist Michael Walsh joins the show to talk about his incredibly busy workload on titles like Universal Monsters: Frankenstein, The Sacred Damned, and Nullhunter. Walsh discusses his full dance card, drawing Magic the Gathering cards, how that Frankenstein book came together, eliciting emotions, the looming shadow of its history, double page spreads, The Horizon Experiment, the twists of The Sacred Damned, the horror shift, Nullhunter’s origins, why he’s not drawing it, its visuals, pairing interests together, balancing wants and needs as a creator, the world of Magic the Gathering, managing an increasingly busy life, and more.

You can find Walsh on Twitter and Instagram and his work in Universal Monsters: Frankenstein this August and The Sacred Damned and Nullhunter in October.

You can download the episode directly here on Libsyn.

Big thanks to Deanna Chapman for stepping in to edit this episode. If it sounds better than usual, it’s because of her.

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Thanks to the sponsor of this week’s podcast: Zoop! Convention season is upon us, but don’t forget to support your favorite creators on Zoop! There’s still time to get the Breed Omnibus from the legendary Jim Starlin, as well as Sway’s gorgeous artbook “Swayonce.” Zoop also has launches from huge names like Christian Ward, Sanford Greene, Bill Morrison, Franco and Babylon 5’s Claudia Christian coming this month. And don’t forget to check out the e-commerce store on Zoop where you can buy books from successfully funded campaigns, like Ax Wielder Jon by Nick Pitarra or the Eisner Nominated Comics For Ukraine anthology. For creators looking to crowdfund your project, or have your books for sale in Zoop’s brand new e-commerce marketplace, e-mail them at hello@wearezoop.com to learn more!

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Have a question for Off Panel? You can reach David by email or Twitter.

Header photo is from Walsh’s cover to Universal Monsters: Frankenstein #1. Artists unfortunately unknown. Off Panel’s opening theme music is Vulfpeck’s “Outro,” used with permission from the band (and thanks from me for them doing so!), with the rest of the music being an original track by custom music agency Upright T-Rex Music, written and performed specifically for the podcast. A huge thanks to Ross and Cody from Upright T-Rex Music for putting the track together!