The “i” of the Beholder: A Look at Image Comics in the Post “Walking Dead” Era
2019 has been a strange year for Image Comics.
Of course, we always knew it would be. With notable hits and beloved titles like The Wicked + The Divine and Paper Girls set to end their runs and Saga’s hiatus continuing at least throughout the bulk of the year, it was destined to be one. That alone would be enough to increase the amount of Tums in the average comic executive’s diet. After all, losing one hit is tough. But losing multiple in one year, even if one was still slated to return? That starts to feel like a problem.
“That’s okay, though.” I remember thinking to myself. “At least they have The Walking Dead still!”
About that.
Robert Kirkman and Charlie Adlard ended their long-running series in July, shocking both readers and retailers in the process. Sure, the media empire marches onward, even expanding with additional shows despite the heat of the original series lessening. 28 But the comic itself has concluded, taking Image’s top-selling title with it. 29 That’s a big deal, and one that has a huge impact on Image’s once potent position in the market.
At the peak of its powers, Image was the hottest name in the industry, generating a company-high 12.98% unit market share in comic shops in March 2015, 30 firmly establishing itself as the third largest publisher in the direct market in the process. 31 Creators wanted to be a part of the fun, fans feasted on the excitement of each Image Expo, and retailers were reaping the benefits. It was a high time, and one that seemed like it would keep on rolling forever. Why wouldn’t it? They were the place to be, as far as a significant contingent of the comics world was concerned.
Fast forward to today and I’ve seen people wonder something barely imaginable in the recent past: “Is Image in trouble?”
Those kinds of losses can be tough to make up, as those titles were a big part of Image’s pie. Even beyond that, the vaunted creator-owned publisher was already seemingly past its sales peak. Does that equate to a genuine struggle, though? Or is more complicated than it seems from the outside? Naturally, it’s always the latter. We want to paint with broad strokes and have headlines like “How will Image Comics survive without The Walking Dead?!?!” But reality is always a bit less sexy than any sensationalistic title I could come up with.
It is a weird time, though, and one worth examining from the outside and the inside. That’s what’s happening today, as we’re going to dig into the current state of the publisher by consulting its market position in recent years, before we take a look at how they are dealing with this new world order with perspective from Image’s Publisher and Chief Creative Officer Eric Stephenson. By the end, hopefully we have some idea as to where everything stands, and answers to the questions I – and likely others! – have been wondering recently.
subscribers only.
Learn more about what you get with a subscription
It’s still popular for a cable show. It’s just not a dominant force anymore.↩
After Wednesday’s final omnibus drops, even all of the trades and compendiums will have been released. If I were Kirkman, I’d be looking long and hard at pulling a Bone/Scott Pilgrim and creating trade and compendium releases in color.↩
They actually had a higher share in February 2017, but that 18.13% number was almost entirely fueled by a 25 cent issue of The Walking Dead that was too anomalous to consider here.↩
This even led to some derisively adding Image to Marvel and DC to form the “Big Three” publishers, working off the latter duo’s previously existing “Big Two” moniker.↩
It’s still popular for a cable show. It’s just not a dominant force anymore.↩
After Wednesday’s final omnibus drops, even all of the trades and compendiums will have been released. If I were Kirkman, I’d be looking long and hard at pulling a Bone/Scott Pilgrim and creating trade and compendium releases in color.↩
They actually had a higher share in February 2017, but that 18.13% number was almost entirely fueled by a 25 cent issue of The Walking Dead that was too anomalous to consider here.↩
This even led to some derisively adding Image to Marvel and DC to form the “Big Three” publishers, working off the latter duo’s previously existing “Big Two” moniker.↩
Or comics and graphic novels ordered.↩
If you’re a baseball fan, this is the same premise as the stats OPS+ and wRC+.↩
This is a straight average of the percentages, so the real number is likely different but certainly close-ish.↩
This is doubly so, as some retailers have started ordering graphic novels from other, non-Diamond distributors. That means the total order number is actually lighter than what shops are actually ordering.↩
It only goes back to 2013 because that’s how long that data has been tracked.↩
We’ll talk about this more in the next section as well.↩
Keep in mind, though, that bulk of that title’s impact is actually on the collections side of the equation.↩
I should note, it’s every issue besides a few with wildly anomalous orders for anniversary reasons. I stripped them out to prevent breaking this chart.↩
Common sentiment has suggested digital is an important market for Image titles, as they tend to speak to non-direct market readers, but we have no numbers to back that up.↩
Although, as noted in my big library feature, that is a market Image has been aggressively courting.↩
The book market has nearly matched the size of the direct market in recent years, although a (likely small) portion of that growth is related to comic shops moving from Diamond to book market vendors for some trade and graphic novel orders during that timeframe.↩
Long tail means, in this case, all of the books tracked by Bookscan as opposed to just the Top 750 sellers.↩
Well…probably.↩
A title that Stephenson told me FOC’d at a higher number than any other debut they had in 2018 or 2019.↩
He also mentioned they aren’t the only ones that figured this out, which is definitely a good thing.↩
Final order cut-off’d, or the point where orders from stores are final.↩
In case you don’t know, direct market comics are non-returnable, meaning shops buy the inventory and are stuck with it if it doesn’t sell, unlike in the book market in which everything is returnable. This makes returnability quite the carrot to dangle.↩
Although their big hitters in the latter are aging or worse.↩
While they don’t hire variant artists for specific titles and the decision making of certain imprints are outside the control of Image Central, people are always going to connect these actions with the mothership. There’s just nothing they can do about that.↩
It’s still popular for a cable show. It’s just not a dominant force anymore.↩
After Wednesday’s final omnibus drops, even all of the trades and compendiums will have been released. If I were Kirkman, I’d be looking long and hard at pulling a Bone/Scott Pilgrim and creating trade and compendium releases in color.↩
They actually had a higher share in February 2017, but that 18.13% number was almost entirely fueled by a 25 cent issue of The Walking Dead that was too anomalous to consider here.↩
This even led to some derisively adding Image to Marvel and DC to form the “Big Three” publishers, working off the latter duo’s previously existing “Big Two” moniker.↩