X of Swords is an interesting test case for the impact of larger, multi-title stories. But does the past suggest it will make or break the X-Men line?
On the rise of creator collectives at conventions, what's driving that trend, and how the pandemic is affecting those groups
A look at “real people in superhero universe” stories and how they twist the classic wish fulfillment fantasy.
DC risked a lot by going rogue with new distribution partners. Was the move worth it?
A look at the current state of the direct market, and its resistance to change in certain corners
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