Off Panel #188: The Highest House with Mike Carey
In this week’s episode of Off Panel, writer Mike Carey joins the show to talk about his changing comics workload and his latest series, The Highest House. Carey discusses what he’s been doing in recent years, his X-Men run, how The Unwritten came to be, collaborating with artist Peter Gross, The Highest House’s development, the politics and mythology of its world, the unique challenges its oversized format presents, story density, the complications of Peter Gross’s work, balancing a giant cast, finding a market for the book, Yuko Shimizu’s covers, where the book stands now, and more.
You can find Carey on Twitter and his work in The Highest House.
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Thanks to this episode’s sponsor, Radio vs. the Martians! Mike Gillis and Casey Doran host the Radio vs. the Martians! podcast, a show that gathers their funniest, smartest friends once a month for a deep dive into science fiction, video games, horror, comics, movies, and everything in-between. So far, they’ve dissected topics like Superman, Steven Spielberg, Akira, George Lucas, Zombies, Twin Peaks, Hayao Miyazaki, James Bond, Watchmen, and whether drivers are required to pull over for the Ghostbusters. Find this podcast and its spin-off show, Podcasta la Vista, Baby! a celebration of the films of thespian and statesman Arnold Schwarzenegger, on iTunes, Stitcher and their website.
And thanks to this episode’s other sponsor, Impact Theory Comics. Impact Theory Comics is a new, independent publisher, and they’re releasing their first comic…Neon Future. Neon Future is a collaboration with world famous DJ/Producer Steve Aoki, and it’s written by the Eisner award winning writer of Justice, Jim Krueger, with artists Neil Edwards of Fantastic Four fame and Jheremy Raapack delivering the visuals and building the world. Want a first look at the book and Neil and Jheremy’s art? Give Impact Theory a follow on Instagram at @ITcomics.
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Header image is from the cover of The Highest House #4, art by Yuko Shimizu. Intro music is Vulfpeck’s Outro from their album Vollmilch. Thanks to the band for letting me use the track.