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Off Panel:
Writer/artist
Michael Walsh
On
the Ongoing
Boom of
Comic Formats
Latest Art Features
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"Most of it Came Somewhat Naturally": Richard Blake on Starting in Comics and Building Hexagon Bridge
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"It Was Always My Own Ideas": Wes Craig on the Art and Dreams of Kaya, Two Arcs In
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"It Was Exactly What I Needed": Marcos Martín Talks the Art and Process of Friday
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"Storytelling is the Most Important Thing": Stefano Caselli on His Journey and the Art of X-Men Red
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"I Feel Like I’ve Still Got a Lot to Learn": Tom Reilly on the Art and Styles of Ant-Man
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"I Try to Push Myself to Try New Things": Javier Rodriguez on His Art and Defenders: Beyond
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"I've Never Had More Fun on a Project": Kyle Strahm on the Art and Adventure of Twig
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"That is How We Bring Out the Best in Our Work": Gurihiru on Art, Collaboration, and Unico: Awakening
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"This is Where I Want My Style to Go": Chris Samnee on the Art and Experience of Jonna and the Unpossible Monsters
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“I’m Not Looking for Limits”: Bruno Redondo on the Art of Nightwing
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Most Read Art Features
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“I Find it Fascinating to Have Your Work Live Somewhere New”: Maria Nguyen on the Station Eleven Graphic Novel
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“I Feel Like I’ve Still Got a Lot to Learn”: Tom Reilly on the Art and Styles of Ant-Man
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“I Try to Push Myself to Try New Things”: Javier Rodriguez on His Art and Defenders: Beyond
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Art to Die (Eternally) For: In Praise of We(l)come Back’s Jonathan Brandon Sawyer
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“Most of it Came Somewhat Naturally”: Richard Blake on Starting in Comics and Building Hexagon Bridge
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“I’ve Never Had More Fun on a Project”: Kyle Strahm on the Art and Adventure of Twig
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“I’m Not Looking for Limits”: Bruno Redondo on the Art of Nightwing
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Razing Canada: Steve Skroce on the Destruction and Storytelling of We Stand on Guard
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The Airth Up There: Jake Parker on the Development of SkyHeart and its World
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Sana Takeda on the Beauty and Darkness of Monstress