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The
September/
October
Mailbag Q&A
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Panel:
G. Willow
Wilson on
Her Comic Journey
Latest Art Features
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“I’m Not Looking for Limits”: Bruno Redondo on the Art of Nightwing
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"I Find it Fascinating to Have Your Work Live Somewhere New": Maria Nguyen on the Station Eleven Graphic Novel
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"I Sort of Slipped and Fell into Comics": Sasha E. Head Talks Comics and Design
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"A Good Balance is Necessary": Álvaro Martinez Bueno on the Horror and Humanity of The Nice House on the Lake
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"I Think Every Single Panel Should Express Something": Brenna Thummler on the Development of Delicates
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"I'm Still Trying to Get Better": Mike Del Mundo on Ten Plus Years of Creating Iconic Covers
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"There's Been So Much Fanboy Glee": Russell Dauterman on the Design and Delight of His Recent X-Men Work
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"It's the Little Details:" Terry Dodson on the Art and Wonder of "Adventureman"
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"Art and Comics were Simultaneous:" John Bivens on Art and The Devil's Red Bride
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"When You're a Kid, Everything Seems Huge:" Jared Cullum on the Heart and Heroes of
Kodi
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Most Read Art Features
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“I Want to Be Invisible”: Javier Rodriguez on the Art and Collaboration of Absolute Martian Manhunter
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“I Find it Fascinating to Have Your Work Live Somewhere New”: Maria Nguyen on the Station Eleven Graphic Novel
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“I Try to Never Do the Same Page Twice”: Artist Matías Bergara on His Art and A Mischief of Magpies
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“It Was Exactly What I Needed”: Marcos Martín Talks the Art and Process of Friday
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“When You’re a Kid, Everything Seems Huge:” Jared Cullum on the Heart and Heroes of
Kodi
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Cupcakes and Colorists: Kelly Fitzpatrick Talks Her Craft and the Vital Role Colorists Play in Comics
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“I Try to Make Everything Flow”: Artist Fran Galán on the Process and Storytelling of Pine & Merrimac
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“That is How We Bring Out the Best in Our Work”: Gurihiru on Art, Collaboration, and Unico: Awakening
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No Plan, Only Instinct: Marco Checchetto on the Art of “Daredevil”
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“I Kind Of Fell Backwards Into Comics”: Matt Smith on the Art of Folklords